Thursday, October 24, 2013

Let's Talk About "S.H.I.E.L.D."

We're five episodes into Marvel's "Agents of S.H.I.E.L.D.," and now the grousers have taken center stage. Viewers are getting impatient with the show, unhappy with the characters, unhappy with the tone, and unhappy with the incremental pace of the plot and character development. The ratings reflect this, still decent, but sinking from the premiere, which was one of the highest rated debuts ABC had in years.

So what's the problem? From what I can tell, it's a mismatch between viewer expectations and what the show actually is. The viewers were hoping for a Marvel movie every week, a continuation of "The Avengers." Instead, what they're getting is a fairly generic team adventure show that has the potential to become something more interesting, but hasn't really gotten there yet. It's not a superhero show, as no one has displayed any special powers beyond being very good at fighting and hacking and science. The special effects work has been solid, but not spectacular. There are signs of a larger mythology being built up, but so far we've only gotten hints of something going on with Coulson's near-death experience and Melinda's checkered past.

And if the show wasn't so hyped up and so high profile, that would probably be fine. Genre shows like this often take a while to find there footing. The CW's "Arrow" has come out swinging in year two after a long run of awful episodes in year one. The Whedons' last series, "Dollhouse," didn't really come into its own until about halfway through its first season too, when they finally delved into the show's complicated mythology and started giving individual characters some room to grow. "S.H.I.E.L.D." reminds me a lot of the early "Dollhouse," when they were still trying to follow a procedural formula.

There are some other factors exacerbating this. For one thing, the show is designed to be family friendly and it's running on Disney-owned ABC. They want something that will stay light and happy and kid-friendly, so I don't know how much the show can really capitalize on the premise of working for this morally gray government agency. For another, "S.H.I.E.L.D." is taking place in a shared universe with the Marvel films, and it's not clear how expansive and epic its storylines will be allowed to get, for fear of stepping the toes of of the movies. Right now they've been playing it much too safe, staying firmly on the periphery when the show could be a great way to deal with some issues in depth that the movies don't have time for.

However, there are some areas where "S.H.I.E.L.D." can certainly make some improvements quickly. Start by giving us more information about the characters besides Skye. Make the implied explicit, and let us in on what's bothering Melinda and what's up with Coulson. Give Ward some bigger problems to deal with. Start using Fitz and Simmons for more than just comic relief. Fitz has revealed he's a nerd with an ego, but Simmons is still almost a total blank. Give the girl a crush on Melinda or a bad childhood. Anything. Moreover, it's high time we had a wacky recurring villain show up. Is Alan Tudyk doing anything?

I do think that the show could become something really entertaining and interesting, and worth following weekly. I'm sticking around for a while longer because I dig the B-movie hijinks and the actors have already improved a bit. However, like everyone else I'm waiting for the other shoe to drop. I'm waiting for a proper villain, some real crisis for the characters, or at the very least better cases of the week that show off more of this world. They have the whole Marvel Comics universe to play with, so where are all the mutants and the aliens already? Where are all the minor players who aren't big enough to get their own movies?

What's the most frustrating thing here is that "S.H.I.E.L.D." is wasting a lot of goodwill from interested fans and a substantial budget that could allow them to do so much more. I've enjoyed some things like the gravity fluctuations in the third episode, and the flying car from the pilot, but otherwise there's not enough to build the show around spectacle. The storytelling really needs to pick up the slack if it wants to keep the attention of the audience.

If this were a show airing on the CW or Syfy, I'd be much more forgiving, and I expect "S.H.I.E.L.D." would be able to eventually work out its problems over the course of a full season or two or even three. However, it's airing on a major network in valuable prime time real estate. ABC is not going to be nearly as patient, and I worry that it's going to negatively impact the show's chances in the long run.
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