"Premiere"
 - The first episode of the series had a lot of flaws.  Ben Browder's 
lost astronaut John Crichton was still a work in progress, and frankly 
didn't come off very well.  The villains were all pretty dull.  The 
aliens and the effects work though, were awesome.  The level of the 
makeup and the costuming and other practical effects were very 
inconsistent throughout the run of "Farscape," but in the first episode,
 everyone was clearly giving it their all.   "Premiere" does a great job
 establishing the look and feel of this universe, and distinguishing it 
from similar shows. 
"Through the Looking Glass" -
 The fun of science-fiction series is that they can do very high concept
 stories that other shows don't, in ways that they often can't.  The 
premise of "Through the Looking Glass" is wild enough on its own - 
Moya is fractured into four different dimensions that all require 
navigating in different ways.  However, it's the depictions of these 
different dimensions, and the use of color and sound and space that 
really caught my attention.  Learning the rules and figuring out the 
puzzle along with Crichton is a lot of fun to experience.    
"Nerve"
 - Along with the preceding episode "A Bug's Life," and following one, 
"The Hidden Memory," this is where "Farscape" really kicked into high 
gear.  The main villain Scorpius is introduced here, along with Stark 
the complicated madman, and we get the beginnings of all sorts of fun 
plot arcs that will carry through the rest of the series.  Crichton 
gets a lot of development during these episodes too, taking big strides 
toward becoming the badass action hero he'll eventually become.  And he 
finally ditches the spacesuit for cooler Pecekeeper duds.
"Crackers
 Don't Matter" - One of the early "mind frell" episodes, where all the 
usual rules go out the window due to alien elements messing with the 
characters' perceptions and mental processes.  The crew becomes paranoid
 and turn on each other, finally culminating in a very silly showdown 
between Crichton and the monster of the week.  "Crackers" is a fan 
favorite because of its humor and tone, which the show was finally 
getting a handle on.  There would be similarly nutty jaunts into the 
absurd in the future, but few that were as much fun as this.
"Won't
 Get Fooled Again" - We've already had one episode where Crichton wakes 
up back on Earth, so when it happens again in the second season, we know
 it's just aliens messing around  in his head, and the premise can be 
played for laughs.  To some degree this episode is an excuse for the 
writers to come up with outrageous, off the wall things to do with the 
characters - Rygel in bondage gear! - but it's also one of the most 
important in terms of the ongoing story with Scorpius's neural clone, 
Harvey, who plays a big part here.
"The Ugly 
Truth" - I love "Rashomon" episodes because they're so much fun to pick 
apart.  Here, the whole crew get captured and interrogated about a crime
 that, or course, they all remember differently.  The different accounts
 offer a glimpse of how the various characters view one another, but 
then there's a twist at the end that puts everything into an entirely 
different light, so you can rewatch it with the new motives in mind.  I 
always love it when an episode clearly done quick and cheap outshines 
the bigger, fancier installments around it.
"Liars,
 Guns and Money" - Then again, there's plenty to be said for gorgeous 
effects, big action scenes, and putting a lot of money on the screen.  
"Liars, Guns, and Money" is a three-parter that helps bring the 
excellent second season to a close.  What starts as a big mission to 
rescue D'Argo's son turns into a showdown with Scorpius with all kinds 
of complications.  This was the biggest thing that the show had 
attempted at this point in its run, and boy did they pull it off.  Also,
 quick kudos to my favorite one-shot character, Scorpy's gal-pal Natira.
"Infinite
 Possibilities" - I loved the double Crichton storyline in the third 
season and everything that it let "Farscape" do, but it's difficult to 
single out specific episodes for praise.  So to represent the whole arc,
 I'm highlighting the two-parter "Infinite Possibilities," where a lot 
of the big climaxes happen and we wrap up a few of the ongoing plots.  
The Crichton-Aeryn relationship in particular is handled just right, 
cementing the pair as one of my favorite science-fiction power couples. 
 And this was without question the best use of Rygel ever.  
"Terra
 Firma" - Another big warning for spoilers here, because it's impossible
 to talk about this episode otherwise.  So one thing leads to another 
and the crew of the Moya end up on present-day Earth.  For real this 
time.  "Farscape" gets to speculate as to what humanity's reaction to 
the aliens would be, while Crichton has to come to terms with certain 
uncomfortable realities about his relationship with Aeryn and about his 
place in the universe.  It's a big turning point for the show, which 
leads us to the unfortunate reality of...
"The 
Peacekeeper Wars" - The cancellation of "Farscape" was harsh and mashing
 an entire season's worth of story into one miniseries was definitely 
not ideal.  However, the fact that we got an ending at all was something
 of a miracle, and there's plenty in "The Peacekeeper Wars" to love.  
With amped up production values, big goodbyes, big hellos, and just 
about everybody getting the spotlight one last time, this is a love-fest
 of epic proportions.  And sure, it's a bit of a mess, but "Farscape" 
was always a bit of a mess anyway.  So it was an appropriate way to go 
out.
Happy watching.
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