Spoilers for the first season ahead.
The second season of "Hazbin Hotel" gets right down to business, showing the aftermath of the big extermination battle from season one. The Hotel is full of sinners who are all there for the wrong reasons, including newcomers Cherri Bomb (Krystina Alabado) and Baxter (Kevin Del Aguila). Sir Pentious is causing an existential crisis in Heaven, with angels Sera (Patina Miller), Emily (Shoba Narayan), and Lute (Jessica Vosk) in disagreement about what his redemption means for their relations with Hell. However, the central character of this year is really Vox (Christian Borle), the TV-headed overlord, who with fellow baddies Velvette (LIlli Cooper) and Valentino (Joel Perez) form a villain triumvirate known as the Vees. As the head of Hell's major telecommunications company, VoxTek, Vox controls the airwaves and social media. And he sees the chance to consolidate power and take the fight to Heaven.
I really shouldn't be watching "Hazbin Hotel" for the plot, because despite some significant improvements in the pacing and overall story flow this year, most of the characters are stuck in a holding pattern. Charlie naively tries to make the case for the Hotel to the rest of Hell, but Vox and his minions keep warping and twisting her message at every turn, causing her to repeatedly spiral. Angel Dust is said to be the sinner closest to redemption, except he hasn't addressed any of his personal issues, his past, or the whole involuntary servitude thing. We do start getting pieces of people's backstories, including flashbacks to when characters like Sir Pentious and Alastor were alive on Earth. These do help a lot to flesh out characters and relationships. However, most of the big revelations are either severely anticlimactic, or just keep punting the juiciest stuff further down the road, to be addressed later. The show also has the terrible habit of nerfing its most powerful characters until they need to be badasses for the big finale.
I know Season Three and Four are coming, and we're going to get answers to some of the remaining mysteries, but I wanted more out of Season Two. Everything to do with Vox is great, especially Christian Borle's committed scenery-chewing. Everything else feels like it's repeating parts of Season One, or maneuvering characters to where they'll need to be for future episodes. There are a lot of subplots that have yet to be resolved and there are a lot of balls in the air, but when it comes down to it, most of our heroes don't have a whole lot to do beyond singing about their feelings. The only one of the leads who actually accomplishes something significant is Alastor, and he literally spends three episodes tied up on an office chair.
Still, this is a musical program and we're here for the songs. There are some bangers this season, including "Gravity" for Lute, "Easy" for Vaggie and Charlie, and "Brighter" for Vox, and "Love in a Bottle" for Husk. Probably the funniest moment in the whole season is when Niffty gets her own anime OP out of nowhere. There's really no attempt to hide that this is an earnest musical anymore, with a big, cheesy, uplifting ending clearly designed to get as many cast members on the soundtrack as possible. The quality of the music remains variable, but about on par with last year. However, there's a lot more of it, with multiple episodes featuring three full numbers. My biggest peeve is that Alastor's best song is the "Season 1 Recap Song" that you have to go watch on Youtube.
Production-wise, "Hazbin" looks and sounds great this year. The crew feel a lot more comfortable in this universe now, and willing to get more ambitious. The action scenes in particular have improved, with major fights showing off more of the characters' powers. Husk in action, using magician-themed attacks is especially fun to watch. Some of the character designs, especially for minor background demons, still feel goofy and overworked, but I've gotten used to the style.
Until next time, I'll be enjoying the soundtrack and looking forward to more.
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