Wednesday, May 15, 2019

Rank 'Em: The "Alien" Movies

While future plans for the franchise are in limbo, it's a good time to look back at the "Alien" series, with installments made by an eclectic bunch of famous directors.  This list does not include either of the "Alien vs. Predator" movies because I haven't seen them and have no interest in seeing them. Frankly, there's more than enough to talk about with the six films that make up the "Alien" series proper.  

Aliens (1986) - This movie was my white whale for many years, because I'd seen bits and pieces of it when I was young, but not the full enchilada until college.  I prefer the theatrical version to the extended cut, because it makes for a more streamlined adventure. I think this was really the movie that established Ripley as the iconic female badass, and really tied the "Alien" series to her story.  It also expanded the threat of the Xenomorphs in very enjoyable ways and gave us Paul Reiser as the weaselliest of corporate weasels.

Alien (1979) - The original "Alien" directed by Ridley Scott presents such a coldly bleak future compared to the later films.  The visuals are all grungy, blue collar, and industrial. It's very appropriate for a horror picture that distinguishes itself largely through inventive creature effects and a few strong action scenes.  And in the grand tradition of horror films, I like that it's not immediately apparent that Sigourney Weaver's Ripley is our lead heroine, or what the nature of the alien menace is. The effectiveness of the Xenomorph has been so diluted over the years, it's nice to go back to a film when its first appearance was really an occasion to scream.     

Prometheus (2012) - It says something about the series that a film as flawed as "Prometheus" is in the top half of the rankings.  There are certain plot developments here that are totally ludicrous, but on the other hand I enjoy Michael Fassbender's sinister David, the standout sequence with the medical pod, and a lot of those sepulchral bits of set design.  Moreover, this is a film bursting with interesting ideas, not all of them handled well, or allowed to pay off in a satisfying way, but interesting nonetheless. I appreciated all of its worldbuilding and the way that it set up future storylines - that sadly never paid off the way I hoped they would.  

Alien Resurrection (1997) - This is a weird one.  Mostly scripted by Joss Whedon and haphazardly directed by Hollywood newcomer Jean-Pierre Jeunet, this is the one with the dark comedic tone that none of the other "Alien" movies have, some unmistakable echoes of "Firefly," and Dominique Pinon as a paraplegic mechanic.  It's not nearly as scary as it needs to be, and the plotting is kind of a mess, but it's still pretty enjoyable as a kind of wacky space adventure. I like the crew of the Betty and wouldn't be opposed to seeing more of their adventures. But this series is ultimately about the aliens, so the reboot was inevitable, I suppose.    

Alien 3 (1992) - This was David Fincher's directorial debut!  This! It was an impossible situation, a film trying to follow up a smash hit, with battling scripts and no shortage of production troubles.  Fincher later disowned it, though he saved it from being as bad as it could have been. The movie suffers from an excess of grimy mundanity and mindless violence.  Sure, the aliens still look impressive and the action still works, but the story is essentially nothing, the new characters are all paper-thin, and Ripley spends most of the running time nursing a death wish.  The "Alien" movies were never exactly fun, but it's difficult to enjoy much of this.

Alien: Covenant (2017) - And finally, there's "Covenant," which barely feels like an "Alien" movie.  Most of the trouble comes from focusing so heavily on the android characters while the humans feel like little more than afterthoughts.  You can see Ridley Scott going through the motions of the old haunted house formula, but his heart's not really in it anymore. Fassbender's dual performance is pretty good, but it's not enough to sustain the whole enterprise.  

And where the series goes from here is anyone's guess.

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